This Mogul Revival ruby necklace with rose-cut diamonds in antique style is crafted in 18k yellow gold, weighs 10.4g and comprises a ruby and rose-cut diamond pendant measuring 4.3cm long (including bale), 17.5mm wide, supported by an 18k gold chain measuring 16 inches long. If you are searching for a $20,000 look for a fraction of the cost, this foil-backed ruby necklace is the way to go. This elaborately designed pendant of antique Mogul inspiration features an orbicular, dual-sided and tri-dimensional plaque resplendent in ruby and rose-cut diamond accoutrement in the fore-front with a magnificent Mogul style polychrome enamel underside. A significant rose-cut ruby measuring 10.07mm in diameter, graded 'foil-backed lively-fuchsia' color and 'fair' clarity constitutes the center-stone, mounted within an immaculately chased yellow gold bezel-setting. The vividly colored corundum is surrounded by a sparkling diamond rim comprising 18 foil-backed rose-cut diamonds measuring approximately 1.5mm in diameter, graded 'foil-backed K' color. An ornately gold-capped, flattened, ovular ruby bead suspends 'en tremblant' from the orbicular plaque, adjoined by means of a delicate tear-drop loop. The precious stones adorning the pendant are mounted entirely within closed foil-backed settings, as were all diamonds and colored stones during the entire Georgian and the early Victorian eras to enhance the color prior tot he advent of new cutting techniques which utilized light refraction. This exquisite double-sided Victorian Mogul style necklace features a highly ornate under-side, artistically ornamented with a floral bouquet incorporating leaves and buds, all rendered in contrasting red, blue and green polychrome enamel. Even the side dimensions are embellished with vivid green enamel characterizing Mogul style while the triumvirate yellow gold bale of pronounced width is decorated on both sides with red and blue enamel accents and offers matching color ribbons or bead necklace versatility. The supporting 18k yellow gold chain of extreme finesse is a delicate version of the popular Victorian 'Brazilian link' chain, secured with a well-constructed spring-ring clasp.
Originally referred to as âMughalâ, the Persian word for Mongol of which the name Mogul is the modern version, the term was used to refer to the Central Asian nomads claiming descent from the Mongol warriors. The Mughal Empire was founded in 1526 and, in spite of drastic upheavals, survived until 1857. According to historians, it was the greatest empire of the world for over two centuries. The most famous Mughal Emperor 'Shah Jahan' succeeded to the throne by mid-seventeenth century, giving rise to a period of cultural prosperity and development for his nation. His empire supported cultural life, directed the creation of libraries, and collections of paintings and various objects of art. Shah Johanâs reign is remembered primarily for his monumental architectural achievements, the most famous of which is the Taj Mahal, symbolizing the Mughal artistic achievements. The Mughal era was the most significant in Indian history with respect to a fruitful fusion of Indian, Persian and Central Asian artistic tradition. The Mughals appreciated fine things of life, produced masterfully designed artifacts and favored cultural activities. The most important of all however, was the secure framework provided by the Empire within which arts and artistic talents could flourish. The blending of Persian and Indian artistic heritage resulted in the production of valuable pieces of jewelry and decorative objects mostly made of gold and embellished with precious stones and exquisite enamels of innumerable design and color. Green and red, however, were the favorite colors of the emperors and hence the frequent use of emeralds and rubies in the production of the most valuable pieces of jewelry. Shah Jahan's own magnificent signet ring, kept at the State Hermitage Museum, is believed to be a unique piece of jewelry with an original intaglio engraving of the Shahâs name. The Mughal or Mogul revival style flourished throughout Europe, particularly in France during Victorian era and was revived in the 1920âs, primarily adopted by Cartier in a great variety of ornamental pieces of jewelry.
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